The director trusts his lead actors to convey emotions via micro-gestures – and each Kavin and Aparna Das are very good.
Proper from the opening stretch of Dada, Ganesh Okay Babu pronounces that he’s an actual filmmaker. What we’re watching is mainly an “I like you” scene, however rendered with out the phrases being spoken. You see this love, you’re feeling it – particularly when the contrasting background is that of a neighbouring couple screaming at one another. You understand how one can preserve a cherished one when they’re sleeping, and simply savour the blissful nothingness of the second? That is that scene. What makes it even higher are the mild piano ripples (the rating is by Jen Martin) and the gentler dialog that follows. It entails the subject of tears, and also you suppose that is going to arrange a giant payoff scene on the climax. However no. When the payoff does occur, it’s as unassuming as this scene: we see it in an autorickshaw mirror, in the course of evening, in the course of nowhere.
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